Get all 26 ATELIER NAUTILUS releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of VOL 3&4 : Musiques de scènes de Philippe Blanchard pour Anastassia Politi, Nous avons en commun l'abîme qui nous sépare de nous-mêmes, Le cabinet du Docteur Caligari (film), J'ai dix doigts 1996, Lieutenant Caramel "Musiques avec bruiteurs Fondation Russolo-Pratella", VOL 2 : Musiques de scènes de Philippe Blanchard pour Anastassia Politi, Lieutenant Caramel Metamkine 1988, Lieutenant Caramel - "Avant-Garde", and 18 more.
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ALEXIS BLAIS "Skand"
10:44
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Alexis Blais (né en 1998) est un compositeur de musique électroacoustique basé à Montréal Diplômé du Conservatoire de musique de Montréal dans la classe de Louis Dufort, il poursuit présentement sa maîtrise en composition et création sonore à l’Université de Montréal avec Ana Dall’Ara-Majek. Ses recherches se concentrent sur le continuum unissant le langage des musiques instrumentales et électroacoustiques. Pianiste classique de formation, ses travaux acousmatiques s’inscrivent dans une recherche plastique et texturale de matériaux concrets sur fond d’harmonies modales. Alexis Blais œuvre également dans les milieux du théâtre et de la danse, en plus d’enseigner la conception sonore à l’École nationale de Cirque de Montréal et au Collège Jean-de-Brébeuf. Ses œuvres ont été jouées en Angleterre et au Canada.
Alexis Blais (born in 1998, he/him) is an electroacoustic music composer based in Montreal. Graduated from the Conservatory of music of Montreal in the class of Louis Dufort, he is currently pursuing his master's degree in composition and sound creation at the University of Montreal with Ana Dall'Ara-Majek. His research focuses on the continuum uniting the language of instrumental and electroacoustic music. Classical pianist by training, his acousmatic works are part of a plastic and textural research of concrete materials against a background of modal harmonies. Alexis Blais also works in theater and dance, in addition teaching sound design at the National Circus School in Montreal and at Collège Jean-de Brébeuf. His works have been performed in England and Canada.
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Manfredi Clemente is a sound artist, composer and improviser based in Turin. His artistic research focuses on the concept of sound image, on its phenomenology and spatial dimension, as well as on the exploration of the relationship between culture and nature from ecological, aesthetical and mythopoeic perspectives. To these themes he has dedicated his studies, including the MRes and PhD in Electroacoustic Composition undertaken at University of Birmingham (UK) and the Master in Musicology from the University of Palermo (IT). In his works, field and studio recording, analogue feedback and synthesised sound all contribute to a general sense of materiality that stands at the core of his poetics. For several years he has been part of B.E.A.S.T. – Birmingham ElectroAcoustic Sound Theatre and has been in charge of the installation and performances of the acousmonium of the Contemporary Music Festival of Cagliari. Between 2017 and 2019 he has been working as an A/V technician and sound engineer for the Teatro Massimo of Palermo, where in 2020-21 he has been chief sound engineer for audio recording and broadcasting, working with some of the greatest names of the classical scene (R. Muti, R. Abbado, M. Albrecht, O. M. Wellber, D. Oren, M. Spotti among others).
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OTTO IIVARI "Weightless"
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Otto Iivari is a Finnish Master’s student in The Estonian Academy of Music and Theatre, specializing in electroacoustic composition. His works are mainly acousmatic, spatial electroacoustic music composed for multichannel settings and ambisonic system. Iivari likes to draw influence from natural sound phenomenas and present them as magnified, new dimensions. Space and the movement of sound is a crucial element in Iivari’s music. Iivari is currently studying with Malle Maltis and his 2022 piece Thở won the Europen Student Competition for threedimensional electroacoustic music.
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Education
D.M.A., Music Composition and Theory (Cognate Field: Sound Design); University of Illinois at Urbana-Champaign May 2018, M.M., Music Composition (with Academic Honor) ; New England Conservatory of Music in Boston May 2009 ; B.M., Music Composition Keimyung University, Korea August 2005
University Teaching Experience Busan National University, Busan, Korea, 2019
Teaching Assistant University of Illinois at Urbana-Champaign, 2013-2014
Awards and Honors
Winner, Ars Electronica Forum Wallis - Swiss Contemporary Music Festival, 2020
Alcide Cervi, “2 Agosto” International Composition Competition, Italy, 2010
Honorable mention award, Frederic Mompou International Award, Spain, 2008
Music Festivals and Conferences
Espacios Sonoros, Argentina, 2021
San Francisco Tape Music Festival, 2020
Atemporanea Festival, Argentina, 2019
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Pauline Patie est une compositrice française de musique électroacoustique et une performeuse audiovisuelle. Basée à Montréal, elle est étudiante en maîtrise au Département de Musique Numérique de l'Université de Montréal. Son travail a été récompensé par le Prix Marcelle-Deschênes 2021 (Université de Montréal), des mentions honorables en 2022 dans des compétitions internationales de musique électroacoustique telles que MusicaNova (Prague) et la Fondation Destellos (Argentine), et a remporté le premier prix dans la catégorie acousmatique au MA/IN 2022 (Italie). Son travail a également été publié sur le label RMN Classical (Londres).
Intéressée par l'effet de transe, ses créations explorent la combinaison de l'inconfort et de l'apaisement pour l'auditeur. Elle interroge ainsi la réactivité mystérieuse du corps à l'immersion et sa causalité.
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Antoine Tirmarche is a french music composer and sound designer, working for theater, contemporary dance, short movies and video games. After studying jazz at the IREM (Institut Régional d'Expression Musicale) of Bordeaux, he took interest in contemporary orchestral music and electroacoustic music. Playing poorly of various instruments in several obscure bands, he is also a student in Eric Broitman's electroacoustic class in Angoulême, France.
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The composition presented specifically for the PRIX RUSSOLO 2023 is a 11 minutes harsh noise wall, composed from multilayers of free form noise, to induce spectral individual sounds which will appear differently in each listener. Romain Perrot is a French sound artist and musician who is known for his work in the field of the harsh noise wall. He is considered one of the pioneers of this artistic movement. His overall approach in the wall of noise is to create immersive sound installations/performances that use noise and sound compositions to create a unique sensory experience for the audience. He creates complex soundscapes that can be heard through speakers or headphones. Romain Perrot is also known for his live performances of physical experimental void.
The harsh noise wall is an artistic concept that consists of creating a work of sound art using noises, sounds and recordings. Artists working in this field seek to explore the different ways sound can be used to create an immersive and sensory experience for audiences.
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ATELIER NAUTILUS Faverges, France
Depuis 2011, l'atelier Nautilus
- Bruit de la neige explore à Faverges (France-Haute Savoie) la mélodie du monde,
la poésie du verbe, la granularité d’une voix, la reconnaissance d’une langue, la petite histoire, la mémoire intime, le mouvement des amas japonaises, le vol du bourdon, le bruit de la neige, les Ailes du désir, la magie des atomes, l’invisible, le silence... L’inouï !
... more
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